I had a question for Stephen about the Kepler probe.
I had something for Malcom Gladwell about a jpeg of a sling I posted a day before the accident in 2005, and the stones in my pocket which I had just gathered from the ground moments before the very same accident.
I also had something about the ETP Harrison experience in 97-98, and their use of the term "widows and orphans", and how that applies to the 4D lattice applied over the shape of the 20th century at least. History as a pagination process basically. The disasters look like prominent numbers, I was guessing, because the total disaster quotient has to be divided among the only available pages, like text in a science book has to be redistributed over the pages depending on edits and rewrites and style and more. At ETP Harrison, they taught me to get rid of compositing flaws such as a "stack", when two or three lines of text in a row contain the same word in the same place and it looks like the same word stacked vertically in a pile nestled in the paragraph. They also told me to help fix "widows and orphans".
Let me now cut and paste from Wikipedia instead of describing it wrong myself by mistake.
Widows and orphans
Not to be confused with Masonic Widows and Orphans Home.
A widowed line: the last line of a paragraph, all alone on the other side of a page break.
At the end of the first paragraph, the word "lorem" is an orphan in the second sense: a very short final line that, because the rest of its line is white, creates an impression of two lines of whitespace between the paragraphs.
In typesetting, widows and orphans are words or short lines at the beginning or end of a paragraph, which are left dangling at the top or bottom of a column, separated from the rest of the paragraph. There is some disagreement about the definitions of widow and orphan; what one source calls a widow the other calls an orphan. The Chicago Manual of Style uses these definitions:
Widow
A paragraph-ending line that falls at the beginning of the following page/column, thus separated from the rest of the text.
Orphan
A paragraph-opening line that appears by itself at the bottom of a page/column.
A word, part of a word, or very short line that appears by itself at the end of a paragraph. Orphans result in too much white space between paragraphs or at the bottom of a page.
Remembering the terms
A common mnemonic is "An orphan has no past; a widow has no future" or "An orphan is left behind, whereas a widow must go on alone".
Another way is to think of orphans as generally being younger than widows; thus, orphaned lines happen first, at the start of paragraphs (affecting and stranding the first line), and widowed lines happen last, at the end of paragraphs (affecting and stranding the last line). Orphaned lines appear at the "birth" (start) of paragraphs; widowed lines appear at the "death" (end) of paragraphs.
I find this to be a very interesting contribution to the current biblical decoding project. The application of the repagination concept to the redistribution of "human content" over a finite number of "pages" (i.e. years) is obviously one of the real mechanisms behind some of the unreal paranoia some folks experience when finding personal details in large historical disasters.
If your written text included the written equivalent of two large towers for instance, just to use an example, apologies for belaboring this example by the way, it is just so I can understand the math, if your written text includes the equivalent of two large towers, and you delete that text, leaving a big blank space where the towers used to be, before you can send the typeset pages to the publisher you have to reflow the text around the blank space. When they reflow the "text" around the missing space where the "towers" used to be, the exact amount of absent space is then found distributed over other adjoining pages. It is perhaps in this context among others that the Bible is always telling us to help with the widows and orphans.
This seems like an astoundingly important idea to me.
Meanwhile, Mr. Hawking! I read something of yours recently describing the effects of changing the surface geometry of the sun by various amounts. You had a brief section in "Grand Design" explaining the numbers involved if a certain area of the sun's surface became more concave by varying degrees and so forth.
Do you think it's possible that for unusual personal reasons, the sun is telling Kepler to stop looking at Cygnus? Hence part of the steering problem when it tries to do so? I wondered how it is that everything broke just right so that sunlight alone was enough to push the lens away from the direction of that very interesting place.





Today I found the Flaming Lips, the Zeppelin, the Nirvana, and the Tom Petty, based on the clue in the jelly statement yesterday, and also one IRL after seeing so many references to Xena's final reddish optics. Just leaving a note to myself that I found these things. NSA asshole across from me tried to ruin the content but walked off just now having failed.

